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Solo Performances in India

  1. Yuva Sangeet Nritya Mahotsava, Jalgaon (2007)

  2. Rangaswar Festival, Mumbai

  3. Durga Festival, Mumbai

  4. 119th Mrudangacharya Nanasaheb Panse Smriti  Samaroh, Bhopal, Madhya Pradesh (2013)

  5. 76th Aundh Music Festival, Aundh

  6. Kala Academy, Goa

  7. Aura Festival, Aurangabad

  8. Performance for Artist Union, Solapur

  9. Bharatratna Pt. Bhimsen Joshi Sangeet Mahotsava, Pune

  10. Nupurnaad Festival, Ahmednagar

  11. Nrutyanushthan Series, Nashik

  12. Performed in the 3rd Panch Tatva Festival, Andheri in front of Kathak  maestros Padmavibhushan Pt. Birju Maharaj, Padmabhushan Pta. Sitara  Devi, Smt Asha Joglekar, Smt. Shashwati Sen, and other renowned Gurus (2009)

Solo Performances Abroad

  1. University of Evora, Portugal. 

  2. Mantr Mugdha, UK

Group Performances

  1. As a part of Guru Shambhavi Dandekar's performing unit, Amruta got an  opportunity to perform with her in many places and festivals in India like Horizons: Kathak and beyond, AFMC – Pune and many more

  2. Performed in ‘The World Peace Art Festival’ with Grand Guru Maneesha Sathe along with Chinese and Japanese artists in Shanghai (China), and Osaka (Japan)

  3. Performed in the inaugural ceremony of ‘Make in India’ in the presence of  our honourable Prime Minister Mr. Narendra Modi in Mumbai

  4. Performed in Guru Taalyogi Pt. Suresh Talwalkarji’s productions ‘Taalmala’ and ‘Taalyatra’ in Pune, Nanded, Bhopal, Chattisgarh and in Nairobi (Kenya)

  5. Performed in Guru Shama Bhate ji’s productions Kathak Infinite and Peer Parai Jane Re

  6. Performed in Guru Parvati Dutta ji’s production Srijan Teerth at Purana Killa Festival, Delhi

Workshops

A seeker of greater depths, Amruta uses a composition as a medium to work on body movements, Laya-Taal aspects of Kathak, expressions and theoretical principles to go beyond the vocabulary of Kathak in all workshops. She believes in giving the participants a taste of the true essence of Kathak. These workshops aim to teach all participants how to apply a 360 degree view to any composition.​

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What would you achieve from the workshop?

  • Clarity of body movements and footwork

  • Intensive Laya and Taal training

  • Abhinaya nuances and detailing of Abhinaya

  • Facial exercises for improved expressions

  • Use of imagination and visualization

  • A rounded understanding of the composition

  • A study of the aesthetic of the composition

  • Development of performance skills

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Workshops taken

  • University of Evora, Portugal

  • Alpana Sengupta School of Kathak, London, UK

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